The works originate from existing structures: social roles, economic logics, technological promises, or culturally embedded systems of value. These frameworks form the starting point of the practice.

The works intervene in such structures by adopting their modes of operation and continuing them under slightly shifted conditions. The interventions remain precise and often minimal. The logic continues to run, but reaches a point where it can no longer sustain itself. Systems are not interrupted but are carried forward until they reach their limits within their own continuation.

The choice of means does not follow a specific medium, but a decision: which form allows a structure to continue under these conditions until it can no longer support its own premises? Whether object, technical construction or image, the realization is determined by which means actually produces this situation. The choice is guided by effect, not by appropriateness.
Form is an instrument.

Materiality and craftsmanship are part of this strategy.
The works appear as functional entities that must be taken seriously and assert their own internal logic. The systems operate convincingly up to the point where they no longer hold.

Many works involve the behavior of viewers. They create situations in which decisions must be made that appear plausible in the moment but shift afterward. The audience’s reaction is not an addition, but part of the work.

The works extend existing structures into a continuation in which they reach the points where they no longer hold.